Asset Manager

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Artlist

Artlist was founded in 2016 by Itzik Elbaz, Assaf Ayalon, and Ira Belsky, filmmakers and musicians frustrated by the per-clip licensing model that made...

Artlist

Artlist was founded in 2016 by Itzik Elbaz, Assaf Ayalon, and Ira Belsky, filmmakers and musicians frustrated by the per-clip licensing model that made high-quality creative assets prohibitively expensive. The company launched with a music catalog and a simple proposition: pay one annual fee for unlimited downloads of songs covered by a universal license. That subscription model, rare in media licensing at the time, let the founders reinvest subscription revenue into acquiring exclusive catalogs directly from independent artists, creating a flywheel that added footage in 2019, sound effects in 2020, and an AI-powered voiceover tool in 2023. The firm deploys capital primarily into content acquisition and product development, with a focus on exclusive, royalty-free music, stock footage, sound effects, and generative-AI creative software. Unlike marketplace competitors that take a commission per download, Artlist purchases tracks and footage outright from creators, centralizing rights management for enterprise clients like Google, Nike, and Netflix. KKR's $48 million minority investment in September 2020 (per CTech, 2020) accelerated international expansion, with users spanning North America, Europe, and Asia. The platform competes with Shutterstock and Adobe Stock, but its unlimited-download model and exclusive catalog create a bundling advantage for video editors and agencies producing high-volume content. Over 20 million creators and brands use Artlist as of 2024, with the company citing a catalog of more than 40,000 assets across music, footage, and templates (per the firm's official communications, 2023). Tel Aviv remains the headquarters, with a distributed team supporting users in 160 countries. In May 2024, the firm launched an AI voiceover generator with licensed voice models, extending its toolset into synthetic media while maintaining the rights-cleared licensing framework that its enterprise customers require. Artlist sits at the intersection of a content licensing business and a software company — a hybrid structure uncommon among its peers. While Getty and Shutterstock operate two-sided marketplaces, Artlist controls the supply side by acquiring catalogs outright, which allows it to offer license clarity that user-generated platforms cannot match. That rights-ownership moat becomes more valuable as enterprises adopt generative AI tools and face uncertainty over training-data provenance, a structural position the co-CEOs are investing against with in-house AI features built on their fully owned asset library.

Website
artlist.io

General information

Firm type

Asset Manager

Year founded

2016

AUM

Undisclosed

Location

Region

Middle East

Country

Israel

City

Tel Aviv

Corporate office

Tel Aviv, Israel

Principals

Itzik Elbaz

Co-Founder & Co-CEO

Assaf Ayalon

Co-Founder & Co-CEO

Ira Belsky

Co-Founder

Sector focus

Media & EntertainmentEnterprise Software

Frequently asked questions

Who owns Artlist, and how is it capitalized?

Artlist was bootstrapped by co-founders Itzik Elbaz, Assaf Ayalon, and Ira Belsky from 2016 until September 2020, when KKR made a $48 million minority equity investment (per CTech, 2020). The co-founders remain majority owners and both serve as co-CEOs. The company has not publicly disclosed a valuation or additional funding rounds since that KKR investment.

How does Artlist's licensing model differ from competitors like Shutterstock or Epidemic Sound?

Artlist offers an annual subscription that grants unlimited downloads and a universal license covering virtually any project type — YouTube, commercial advertising, broadcast, and client work. The firm acquires songs and footage outright from independent artists rather than operating a royalty-split marketplace. That means a single Artlist license covers a piece of music forever, with no per-use fees, no attribution requirements, and no re-licensing if the video gets millions of views, which differs from Shutterstock's credit-based model and Epidemic Sound's platform-limited coverage.

What asset classes does Artlist offer beyond music?

Artlist began as a music-only catalog in 2016, added a dedicated stock-footage library in 2019, launched a sound-effects collection in 2020, and introduced customizable video templates and plugins for editing software in subsequent years. In May 2024, the firm released an AI voiceover generator with licensed voice models, marking its entry into synthetic media tools. The company now categorizes its product as a full creative-asset ecosystem spanning music, video, sound effects, templates, and AI voice generation.

Does Artlist participate in fund commitments or operate an investment vehicle?

No. Artlist is an operating company, not an investment firm. It deploys operating revenue and KKR's growth-equity investment into content acquisition, product development, and international market expansion. KKR's position is a direct minority stake in the operating business. Artlist does not manage third-party capital, invest in outside funds, or operate a venture-investing arm.

Which sectors or content types does Artlist explicitly avoid?

Artlist does not license editorial or news footage; its catalog is curated for creative and commercial use — narrative filmmaking, brand content, social media, and advertising. The firm has not entered the generative-AI image or text space, focusing its AI efforts on voiceover and editing tools that complement its existing media-asset library. It also avoids user-generated-content marketplaces, preferring to curate and directly acquire its catalog to maintain uniform licensing terms.

How does Artlist handle intellectual property and AI training data?

Artlist acquires music, footage, and sound effects outright from artists through buyout agreements, meaning it holds clear ownership of the licensed catalog. For its AI voiceover tool, the company uses voice models created with consenting voice actors under commercial agreements, not scraped public data. That architecture lets the firm provide enterprise clients with indemnified licensing, an advantage over platforms facing copyright challenges from artists and labels over unlicensed training data.

What is Artlist's known posture on co-investments alongside external GPs or strategic partners?

Artlist has not formed a co-investment vehicle and has not publicly partnered with the KKR portfolio beyond the direct investment. The co-founders have stated an intent to remain independent (per interviews with CTech and Calcalist), and KKR's investment was structured as a minority growth-equity stake without reported participation from other institutional investors, making Artlist a single-partner-backed company rather than a syndicated deal.

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