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Currier Museum of Art
The Currier Museum of Art was established in 1929 from the estate of former New Hampshire Governor Moody Currier and his wife, Hannah Slade Currier.
Currier Museum of Art
The Currier Museum of Art was established in 1929 from the estate of former New Hampshire Governor Moody Currier and his wife, Hannah Slade Currier. The museum opened with a core collection of European and American paintings, decorative arts, and a mandate to serve as a public art institution for the city of Manchester. Its permanent holdings have since swelled to over 15,000 objects, including the only Frank Lloyd Wright-designed buildings in New England open to the public — the Zimmerman House and the Toufic H. Kalil House. The endowment’s asset base is concentrated in real property and the art collection itself, spanning 17th-century Dutch masterworks donated by philanthropists Rose-Marie and Eijk van Otterloo, the Stahl Collection of prints and drawings, and multiple physical sites. The holdings include the main museum building at 150 Ash Street, the Zimmerman House, the Kalil House, and the mixed-use Chandler House. The museum does not publish a separate investment portfolio or allocation breakdown, but its operational model reflects a cultural endowment that funds programming, acquisitions, and historic site maintenance through a blend of operating revenue, grantmaking memberships such as Blue Star Museums and Bank of America Museums on Us, and donor-advised support. Board president Steve Duprey heads the trustees alongside past president Thomas J. Silvia of Vineyard Capital Partners, linking the institution to regional commercial real estate and investment circles. Team size and total deployment are not publicly reported. In September 2024, the museum appointed Jordana Pomeroy — formerly chief curator at the New Britain Museum of American Art — as Director and CEO, signaling a continued focus on curatorial leadership and community programming. Structurally, the Currier operates as a hybrid endowment and civic institution, distinguishing it from pure investment pools — its return is measured in both cultural output and asset stewardship. The board of trustees provides governance, while the CEO directs curatorial and operational strategy rather than managing a dedicated investment team. This architecture forces a close coupling between fundraising, earned revenue, and the care of illiquid hard assets, a posture more akin to a land-holding foundation than a traditional endowment model.
General information
Firm type
Endowment / Foundation
Year founded
1929
Location
Region
North America
Country
United States
City
Manchester
Corporate office
150 Ash Street, Manchester, NH 03104
Principals
Jordana Pomeroy
Director and CEO
Steve Duprey
President, Board of Trustees
Moody Currier
Founder
Hannah Slade Currier
Founder
Thomas J. Silvia
Trustee and Past President, Board of Trustees
Sector focus
Frequently asked questions
Who runs investment decisions at the Currier Museum of Art?
The museum does not maintain a separately named investment office. Governance rests with the Board of Trustees, currently led by President Steve Duprey. Day-to-day financial and operational oversight — including programming spend and building stewardship — falls to the Director and CEO, a role held by Jordana Pomeroy since September 2024.
What does the Currier Museum’s endowment actually hold?
The endowment is primarily comprised of real property and an art collection exceeding 15,000 objects, rather than a publicly reported liquid securities portfolio. Physical assets include the 150 Ash Street museum building, two Frank Lloyd Wright-designed residential properties open to the public, and the mixed-use Chandler House in Manchester.
Where did the original funding for the Currier Museum come from?
The institution was founded in 1929 from the estate of former New Hampshire Governor Moody Currier and his wife, Hannah Slade Currier. Their bequest included the initial collection and the resources to establish a public art museum in Manchester.
How does the Currier fund acquisitions and operations?
The museum blends earned revenue from admissions and memberships with donor-advised contributions and grant-based programs. Professional network programs such as Blue Star Museums and Bank of America Museums on Us provide supplemental support, while major donors have historically funded specific curator positions and collection gifts.
Does the Currier Museum co-invest or partner with external institutions?
The museum participates in collaborative networks like Blue Star Museums and Bank of America Museums on Us for access and programming, but it does not operate as a co-investor in the private-equity or real-estate sense. Its partnerships center on curatorial exchanges, touring exhibitions, and community arts programming rather than financial joint ventures.
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