Coop Records

Cooper Turley serves as sole General Partner and makes all investment decisions. He built recognition in web3 music as an early curator on Audius and through his writing on tokenized media. The firm operates without an investment committee, typical of solo-GP venture structures in crypto.

The firm does not sign artists to exclusive recording contracts or take ownership of master recordings. Instead, it writes equity checks into music NFT platforms and occasionally acquires tokenized royalty streams. This treats music IP as liquid, composable assets rather than static balance-sheet entries held by a label.

The firm focuses on pre-seed and seed-stage rounds, often leading or co-leading deals with check sizes appropriate for early-stage crypto infrastructure. It invests in protocols, marketplaces, and DAOs rather than late-stage streaming or publishing businesses. Portfolio companies typically have not yet raised a Series A.

The firm stays away from traditional recorded-music catalog acquisition, concert promotion, and physical merchandise. It also avoids equity in major-label competitors whose business models depend on centralized rights management. The focus remains narrowly on tokenized music ownership and decentralized creator tools.

Turley's personal network among web3 founders and artist DAOs serves as the primary sourcing engine. His long history curating playlists and liquidity on Audius gave him early visibility into teams building music NFTs, sound royalty primitives, and on-chain metadata standards. Inbound referrals from crypto-native venture partners provide secondary flow.

No separate nonprofit or philanthropic vehicle is associated with the firm. Coop Records invests directly in for-profit startups and tokenized assets. Any charitable activity by Turley is conducted personally rather than through the fund entity.

The firm co-invests regularly with other crypto-native funds active in music and creator economy infrastructure. Specific co-investor names remain sporadic in public disclosures, but the web3 music investing ecosystem is small and highly collaborative, favoring syndicated seed rounds over proprietary deal structures.