Pacific Northwest Ballet Foundation

Pacific Northwest Ballet Foundation

The Pacific Northwest Ballet Foundation was established in 1998 as a supporting organization to receive endowment gifts and bequests for the Pacific Northwest Ballet Association. Chairman Susan Brotman, a prominent Seattle philanthropist and wife of the late Costco co-founder Jeffrey Brotman, has led the foundation's board since before its formal creation, anchoring its governance in the city's philanthropic and retail legacy. The foundation operates with its own board, distinct from the ballet's operating board, a separation designed to insulate long-term endowment assets from the artistic organization's annual budget cycles. The foundation's portfolio is overseen by a board that includes institutional investment experience. Treasurer Daniel J. Kingston is a Managing Director at Morgan Creek Capital Management and previously led portfolio management at Vulcan Capital, the investment office of Microsoft co-founder Paul Allen. The endowment supports PNB's artistic programming, its school—which operates a second campus in Bellevue, Washington—and community outreach across the Pacific Northwest. The Pacific Northwest Ballet Association, the foundation's sole beneficiary, stages over 100 performances annually at Seattle's Marion Oliver McCaw Hall and has toured to Europe, Australia, Taiwan, Hong Kong, and Canada. The ballet company, founded in 1972, is led by Artistic Director Peter Boal—who also serves on the Foundation board—and Executive Director Ellen Walker. No dated operational events for the foundation itself have been publicly reported in the past 24 months. The foundation's structural advantage is unusual among US performing-arts endowments: its board is chaired by a Costco-family philanthropist with deep local ties, while its treasurer imports institutional portfolio-management discipline from a prominent single-family-office alumni network. This governance model places long-horizon endowment management at a deliberate remove from the ballet's operating organization, a design that reduces the temptation to draw down principal during lean seasons.